Lebanese drama makers explain secret of its crisis

The successful dramatic work needs to a good text, actor and director, and the classification of any work in success or failure box depends primarily on the consensus of aware public, that will refuse cretinism and do justice to the the good work.

If this mix is part of the successful ingredients of drama, these ingredients do not apply to the Lebanese drama in any way.

For the reasons are clear for several years, and mentioning them now will be such as restoring the production of the series of Lebanese drama symbols like Marwan al-Nagar or Shokry Anis Fakhoury, there is no difference, the desperate acts, for the public, are the same, and the list goes on.

The purpose of these sentences is not ridicule from any effort is made years ago to promote the Lebanese drama, the issue is not personal. The purpose also is not for criticizing the talented writers, actors and directors, who participated in many fragile and frivolous series, and they are many. But during the presentation of a dramatic scene from a local production, and when an actress said to the hero: "Save me from the life of hell," requires, at least, describing the hell in which the concepts of Lebanese drama grow in.

All of this what said by the writer Claudia Marchalian, which sees that the dramatic work is a complete panel, and the talented writer draws its details before it becomes a collective work.

She refuses, however, any derogation from the reality of the Lebanese drama. The writer explains that despite the lack of Lebanese production, compared to the incredible number of Egyptian and Syrian production, the quality of the local work presented in Ramadan is much better than the dozens of series that the audience did not remember anything from it.

Meanwhile, the President of Actors' Syndicate, Jan Kassis, said that the producer bears the responsibility in the first instance, because most companies have become work for profit-taking much greater than for work's quality.

It does not matter who will write the scenario, the most important for the writer not to earn more than $ 800 for the first episode, he said.